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1. DAW (Digital Audio Workstation) :

A. Cool Edit Pro 2.1 (Now Adobe Audition)

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Adobe Systems Incorporated acquired the technology assets of Syntrillium Software in May 2003 and introduced Adobe® Audition® software (a rebranded release of Cool Edit Pro) in August 2003. Adobe Audition 2.0 is the most current version of the software, and Syntrillium's other products have been discontinued.

The same team has also released a public beta of Adobe Soundbooth, a brand new audio application built in the spirit of Sound Edit 16 and Cool Edit 2000. It uses a task-based interface that is specifically designed so that video editors, designers, and others without a background in audio can get their audio tasks done quickly.


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B. Steinberg Nuendo 4.3 (Portable)
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All-New Features of Nuendo 5

Nuendo 5 is the world’s number one in native audio post-production, with a superior feature set that surpasses all your expectations.


Integrated toolset for ADR work & new video engine

Nuendo 5 comes with a wealth of features made for film and TV editors, mixers and video game sound designers. An important part of the day-to-day work in audio post-production is the recording of audio content that needs to be synchronized to the picture.


Markers

Spot and organize

Nuendo 5 allows the engineer to comprehensively spot and organize recording takes, such as for multiple roles by using a flexible marker track system. All marker tracks can be sorted and filtered in the marker window, which helps the user to keep the overview on the project. Nuendo 5 also reads CMX 3600 EDL lists provided by the video editor as well as exported and imported CSV formatted spotting and ADR lists.



Video

New video engine

The new native video engine of Nuendo 5 is based on QuickTime. Not only does it provide better performance but also the ability to play out videos in real-time via FireWire, now also on Windows. The new video settings panel complements this top feature.


Sound designer’s dream come true


Clip Packages

Clip Packages allow the user to organize clusters of audio clips as one clip package file. After choosing an individual selection of audio files within the project in any constellation it can be saved as a handy package for later use. Clip Packages can be inserted to any other point in the project, archived in the MediaBay and can also be ported to another workstation, if needed.

Scrub wheel

Smooth scrubbing

Sound editors are always looking for the best possibility to facilitate precise cutting tasks. With the new Nuendo 5 scrub wheel, precise editing is at the editor’s fingertips and interference noises belong to the past.


MediaBay

New MediaBay

Nuendo’s powerful file management tool, MediaBay, boasts a graphically reworked user interface to facilitate usability. The enhanced Previewer lets you pre-listen on events and enables the sound designer and editor to select a portion of an event which can then simply be dragged into the project. MediaBay can also be used to index and access tagged sound libraries on external hard drives. A sound editor can capture a catalog database via indexing the library, containing all tags and metadata. The index will reside on the portable hard disk. As soon as the portable hard disk is connected to another Nuendo workstation, the catalog (Volume Database) is instantly accessible.



Compatible all the way

New in Nuendo 5.1 — MXF Audio Support

The support of MXF Audio further extends Nuendo’s compatibility to industry standards, making the exchange of audio data much faster than before. With MXF, post production studios and broadcast stations around the globe can share projects and ideas easily and without compatibility issues.
Enhanced compatibility with Pro Tools audio files

With Nuendo 5 it’s easy to be industry compatible. For example, dual-mono tracks from Pro Tools can easily be converted to stereo interleaved files for an effective working in Nuendo 5. Edits and fades within the audio material will be retained. An option to split interleaved tracks and files to obtain multi-mono tracks is also provided.
EuCon adapter

Nuendo’s deep and unique integration with Euphonix consoles is well-known the world over. The fifth version of Nuendo sees enhancements on the EuCon adapter which allows Euphonix clients to enjoy access to the new Nuendo 5 functions, directly from the surface of their consoles.

First-class mixing & routing


Direct routing

Nuendo 5 direct routing

Nuendo 5 includes unique mixer enhancements, tailored to professionals working with large film mixing projects. With the new routing capabilities, it is easy to set up multiple routing destinations for channels at a time. This also allows the creation of different mix versions of any session in one go. And, if necessary, up and down mixing is fully automated.

Automation panel

Superior automation system

Nuendo’s automation system is one of the most powerful systems in the world. The new automation system works with an enhanced pass-system which is shown as an undo-tree and enables the user to recall and compare different passes in order to find the ideal automation matching to the material.


Monitoring Matrix

Monitoring Matrix enhancement

Using the extended Monitoring Matrix, the user can listen to individual stems, groups, input or output buses with a single click on the source button from within the Monitoring Matrix window.

Batch export

Automated Batch Export

Creating continuous audio files in one go has never been easier. Be it some spotted scenes or even all channels of a project for exchange with other DAWs, the Automated Batch Export offers a bunch of possibilities without user interaction needed. For example, several portions of the material can be exported easily by using cycle markers.


Wave Meters

Wave Meters

When concentrating on the adjustment of plug-ins and metering in the mixer during the mixing process, it’s often not very comfortable to switch the view to the arrangement window in order to get informed about the current position and upcoming audio events within the project. With the Waves Meters of Nuendo 5, upcoming events are displayed via the respective waveforms, scrolling though the mixer pane.
Plug-in handling for surround buses

For a surround stem or master, Nuendo’s internal effect plug-ins can be used for sound optimization. However, a user often doesn’t want to modify all channels of a mix, but just a selection. Here, the Nuendo 5 patch editor allows the user to select the channels in a surround mix that should be included or excluded from the processing.

VariAudio

VariAudio

Designed for vocal editing, VariAudio allows the sound designer to manipulate and correct voices and sounds in real time, from slight timbre corrections to extreme robot sounds. No artifacts are perceived, and the soul of the recording and its sonic fidelity is preserved throughout.

A new generation of plug-ins



Surround Panner V5

Surround Panner V5

Nuendo 5 includes possibly the most advanced Surround Panner featured in a DAW. The Surround Panner V5 allows for stunning movements within the surround field, such as rotating rooms or atmospheres according to camera pans. Thanks to the equal power technology a signal can be moved across the speakers with no volume variations in the sound.

Pitch Driver

Pitch Driver

With the new Pitch Driver plug-in it’s easy to create unique sound effects. It can pitch up to 24 semitones in real time and the intuitive user interface allows for smooth operation.


REVerence

REVerence convolution reverb

REVerence is the world’s first VST3 convolution reverb processor, being capable of emulating speakers, analog gear and any natural room or hall imaginable — in stereo or surround with over 70 responses included.

PitchCorrect

PitchCorrect

Outstanding results due to intonation control and scale correction of vocal and monophonic instrument recordings are guaranteed with the PitchCorrect plug-in.


Surround Matrix Encoder and Decoder

These elegant and easy-to-use VST3 format plug-ins create matrix encoded 2-channel versions of surround mixes.
VST3 now

Proven plug-ins such as Mix 8to2, Mixer Delay, SMPTE Generator and Test Generator are now available in VST3 format with a new graphical user interface for better operation.

Made for live recording

Remaining Record Time display

Remaining Record Time

The extra large Remaining Record Time display tells the user how much recording space is left on the computer system.
Track arming

With Nuendo 5 it is possible to arm and disarm all tracks at once, using a simple key command. The Lock Record function prevents an accidental disabling of the record button while recording.
Backup Project function

Nuendo 5 backs up any project, also on a second hard drive, and includes several parameters to secure your valuable recordings.

Performance at its best

Experience the X64 advantage

Native Nuendo 5 64-bit support under Microsoft Windows 7 increases the addressable RAM from 2 GB to an astonishing 1 terabyte — placing more tracks, plug-ins and a whole lot of more samples of the biggest sound libraries right at your fingertips!
Performance optimization for multi-core CPU

Nuendo 5 offers additional power and reliable performance, especially with computers systems of more than four cores.
Improved VST Bridge

Important improvements have been added to the Steinberg VST Bridge, enabling 32-bit VST effects and instrument plug-ins to be used in the native 64-bit version.
Low latency for all

Nuendo 5 takes full advantage of the latest audio driver technologies in Microsoft Windows 7 and Mac OS X Snow Leopard and supports generic and on-board sound hardware with lower latencies than ever before.

More features and enhancements


Crossfade Editor

Enhanced Crossfade Editor

The Crossfade Editor has also seen some improvements. Asymmetrical fades can now be separated, a chaining mode has been added, and key commands for auditions and grouped events can be crossfaded together.
I/O and routing setup improvements

To make the routing setup and organization less time consuming and more effective, VST Connections has seen more than ten improvements.
Virtual MIDI keyboard

The virtual keyboard lets you play and recording notes by clicking the mouse or hitting the computer’s keys.

Editing improvements

By shifting several tab items to the toolbar to provide easier access to important functions, the overall usability has been increased.
Redesigned user interface for Logical Editor

Steinberg has spent time and effort in focusing on the aesthetics of its Logical Editor and Input Transformer, providing them with both new and more intuitive graphical user interfaces.

Rule-based consolidation

Rule-based consolidation of part-based MIDI controller data and track-based automation data routed to the same target eliminates conflicts and fuses the two systems together.
Monitor Data Pipe

This tool analyses incoming MIDI events as well as playing back MIDI events from the host in real time.
MIDI plug-ins refresh

All MIDI plug-ins in Nuendo 5 have a fully redesigned user interface.

New Signature and Tempo Track

These tracks give you total control over tempo and time directly in the Project Window.

Signature and Tempo Track



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C. Steinberg Cubase 5.1 (Portable)

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The sixth generation of powerful tools

With an array of sensational features and advanced tools designed to deliver the best and most harmonious results, Cubase 6 is your go-to audio workstation for recording, editing, mixing and producing music of all types. With its emphasis not only on technology and precision but also on user friendliness, usability and ergonomics, Cubase 6 empowers creative imagination to bring out the best in you. That’s why Cubase is the choice of countless musicians and producers around the world. That’s why Cubase 6 is the most advanced music production system today.
Creative Composing and Sequencing


Composing has never been easier or more inspirational. Based on more than 25 years of experience in developing easy-to-use editing and professional composing and notation tools, Cubase once again set a milestone in version 6: With VST Expression 2 Steinberg is taking sequencer-based composing to a whole new level and offers the most intuitive and functionally complete MIDI composing and sequencing toolset on the planet.

Key Editor

At the heart of MIDI sequencing in Cubase is the Key Editor: a breathtakingly powerful yet transparent tool which offers functional wealth that opens up virtually limitless possibilities for songwriters and composers. This is where melodies, chords, arrangements and performances take shape, and where ideas are sketched out, developed and taken to their full potential. Entering, cutting, moving and transposing individual notes or whole chords, editing any of the hundreds of MIDI parameters available or reworking even the most subtle nuances of a MIDI performance are just some of the tasks for which the Key Editor has been developed and refined continuously by Steinberg for over two decades.

The Key Editor’s Inspector provides smooth and intuitive access to the most important MIDI tools and functions, including Expression Maps, Note Expression, Quantize, Transpose, Length and many more in one central spot. What's more, with the In-place Editing function, you can also process MIDI parts directly in the Project window in context with other tracks.

Key Editor
Intuitive controller editing, support for dynamics, instant acoustic feedback


Score Editor

The Score Editor is a full notation environment completely integrated within Cubase and lets you view your music in the form of scores, with full support for just about all symbol, display and editing options that this entails. With support for lyrics and remarks as well as drum notes, guitar tablature and lead sheets, the Cubase Score Editor includes hundreds of professional notation symbols: simply select the tools needed to create fully professional score layouts for others including soloists, orchestras and choirs. Thanks to the full Music XML Import / Export support, even exchanging scores with other notation packages is only a matter of seconds. In addition, the Expression Maps of the VST Expression 2 set have been engineered to offer new levels of speed and intuitiveness when working with large sample libraries by introducing dynamic support for articulations and expressive notation that is automatically interpreted by a VST instrument. Cubase 6 features an unparalleled combination of a fully featured composition, recording and mixing environment with comprehensive scoring features — ideal for composers.



Score Editor


Drum Editor

The Drum Editor is a highly intuitive yet powerful window for constructing and reworking beats, rhythms and grooves as well as creating individual drum maps for every employed instrument, offering a plethora of features to let you come up with the perfect rhythm for your song or production.

List Editor

The List Editor is a powerful MIDI editing tool that gives fast access to every single aspect of a MIDI note and can be a huge timesaver in complex projects.



VST Expression 2

VST Expression Maps provide an ultra-intuitive way of working with multiple instrument articulations, for example of huge orchestra libraries, and introduces an editing concept that is user-customizable and fully integrated with the Key and Score Editors. This groundbreaking technology makes working with instrument articulations as easy as it should be. Instead of handling all those MIDI controllers for switching articulations, VST Expression Maps allow seamlessly and transparently integrated editing as well as full control over multiple articulations. Best of all, articulations noted in the Key and Score Editors can be played back in real time by orchestra and any other sample-based libraries.

With Cubase 6, Steinberg has innovated even further to offer more creative compositional tools. Note Expression is a revolutionary approach to create and edit multiple controller values in a single graphical interface, directly on the note they belong to. Invaluable for demanding orchestral arrangements as well as cutting-edge electronic music, Note Expression significantly enhances the composer’s workflow and sets new standards in terms of creativity and musicality.

* Seamless, transparent and integrated editing of articulations, with full control over multiple articulations in the Key and Score Editors.
* Break traditional MIDI limitations — create and edit multiple controller values on single note-level
* Invaluable for demanding orchestral arrangements, cutting-edge electronic music and unique sound effects
* Immediately listen to dynamic changes noted in the Score Editor or placed in the Key Editor
* Automatically transfer articulation setups of VST 3.5 compatible instruments for individual instrument sounds

Find out more about VST Expression

From pianissimo to crescendo and fortissimo — it's all there


Steinberg is breaking new ground with Note Expression



MIDI plug-ins

To inspire you even further, Cubase includes a huge set of VST MIDI plug-ins. Creative tools, such as the drum step sequencer, the Beat Designer, a powerful arpeggiator, a MIDI pattern sequencer and a MIDI chord processor amongst others will take your composition to the next level. While Cubase 6 offers probably the most feature-rich MIDI sequencing toolset in the audio industry today, Steinberg’s development philosophy is constantly focused on the creativity of musicians, composers and producers, resulting in a MIDI environment that is not only technologically advanced but highly intuitive and instantly accessible for anyone.

Cubase 6 includes a total of 18 outstanding MIDI effect plug-ins



Intuitive recording


An exceptional audio quality, a wide range of innovative tools and a truly musical feel make Cubase 6 the first choice for all kinds of music production — from lightning-fast band recording to professional studio productions. The advanced recording environment combines the functionality of high-end mixing consoles with the elegance of a state-of-the-art software system. Whether you want to record a guitar riff, a multi-miked drum kit or a full classical orchestra, Cubase 6 always provides the best set of tools for your music.

Next-generation audio engine

The award-winning Cubase audio engine delivers a crystal-clear 32-bit floating-point resolution and 192 kHz sample rate, with a pristine sound quality that is the hallmark of the Cubase 6 music production experience. The next-generation audio engine includes true surround capability throughout, with each track and channel offering up to six discreet channels, ready for 5.1 surround and powered by Virtual Studio Technology that opens up a myriad of VST instruments at your fingertips.
Convenient recording

Cubase 6 offers convenient recording capabilities such as Retrospective Record, which means that no take ever gets lost because record mode wasn’t engaged in time. With the exemplary FX handling any VST plug-in can be recorded with the signal, or simply used for monitoring while the untouched, pristine signal is recorded in Cubase.

The intuitive user interface supports even the largest recording rigs, with easy-to-use folders, customizable Track views and custom color schemes for Tracks that differentiate track types at a glance. Handling inputs and outputs in Cubase is effortless: the VST Connections window allows you to not only setup custom I/O setups and customize port names but also switch between different I/O setups on the fly.

Cubase comes with a huge range of additional functions engineered to accelerate recording workflows, including the Arm/Disarm All Audio Tracks function, the Lock Record mode, and the Remaining Record Time display. With Cubase 6 you can focus on the only thing that truly matters — your music.


Control Room



Dispensing with the need for hardware mixing consoles, the Cubase 6 Control Room represents the final paradigm shift for software in integrating real-world studio setups, and firmly puts Cubase 6 the heart of any recording environment. The Control Room is a uniquely powerful recording and monitoring environment with custom busses and setups for up to four studio sends for performers, full talkback and metronome integration, custom monitor setups and much more.

Engineered exclusively for Steinberg’s audio production systems and unavailable on any other software workstations, this unique recording and monitoring environment allows you to control and switch between several different speaker setups in different configurations on the fly, create and manage up to four unique studio mixes feeding performers their own tailored mix, use the integrated Talkback function, manage audio sources feeding from tape, CD or DVD — all from one easy-to-use panel.

And in conjunction with Steinberg’s MR816 CSX/X Advanced Integration DSP Studio FireWire interfaces, the Control Room offers latency-free recording completely integrated into the Cubase mixer and Control Room panels, with no need to use an additional mixing application.

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Edit audio with peerless precision and speed


The sixth generation of powerful tools for recording and editing — Steinberg’s wealth of engineering experience in digital audio stretching back over two decades provides the basis for a new generation of capabilities for editing in Cubase 6. With its emphasis not only on technology and precision but also on user friendliness, usability and ergonomics, Cubase 6 provides you all the tools you need to edit audio with peerless precision and speed.

Sample Editor

The Cubase Sample Editor allows you almost limitless creative freedom while editing audio. A full editing toolset offers a huge range of functions that not only cover common editing tasks right down to the sample level. The Cubase 6 loop functions are a boon for anyone using loops in their project, including state-of-the-art transient and tempo detection as well as audio quantization functions to perfect the timing, feel and flavor of live-recorded drum tracks.

Whether you want to adapt drum loops to the song tempo, transpose and timestretch instruments or analyze and directly edit notes of monophonic vocal recordings with the VariAudio technology, apply any of the myriad audio processes or the included VST 3 plug-ins: Cubase 6 is the complete production environment for fast, intuitive and qualitatively outstanding audio tools that allow you to manipulate audio in almost any way imaginable.

Fast, intuitive and elegant: the Sample Editor


Total vocal editing with VariAudio

VariAudio offers completely integrated vocal editing and pitch alteration of individual notes in monophonic vocal recordings and can solve intonation and timing problems with only a few mouse clicks. With cutting-edge technology Cubase 6 turns the dreams of musicians and producers into reality: editing vocal lines in the Sample Editor just as seamlessly and quickly as if editing MIDI notes in the renowned Key Editor.

* Gives you complete control over the melody and intonation
* Automatically corrects the intonation of vocal lines by quantizing the pitch and micro-pitch of an entire part
* All detected notes and segments can be converted to MIDI notes, including the micro-pitch envelope which translates to pitch bend MIDI data
* Seamless integration with Note Expression
* No noticeable artifacts, entirely preserve the soul of the recording and its sonic fidelity

Sample Editor
VariAudio offers completely integrated vocal editing and pitch alteration


Smart Multitrack Editing

Cubase 6 offers an intuitive toolset for multitrack audio editing and phase-stable quantization. Overcoming the differences between audio and MIDI, Cubase allows to quantize audio material just like any MIDI note, offering numerous possibilities to fix timing issues and to change the groove and feel of live-recorded drums and percussion instruments. What's more, with the straightforward drum replacement function it gets very easy to replace recorded drum hits with the samples of your choice.

Ultra-fast take comping

Conjure the perfect take — Cubase 6 includes a new Lane Track concept for lightning fast multitake comping. Simply swipe across the best parts of a take, and Cubase automatically creates a master take that contains all selected parts. Each Lane Track sports a solo button and full editing functionality. Building the perfect take has never been that easy.

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Pure mixing


Cubase 6 provides a complete mixing environment that not only equips you to produce stunning mixes in stereo or surround, but allows you to tailor your mixing workflow to suit your own personal artistic and creative vision.

The 32-bit floating-point mixing engine in Cubase 6 has been engineered to deliver so much more than just a sumptuous smoothness and depth to your mixes. For a smooth yet powerful mixing workflow that supports your creative artistry, you also need high levels of configurability and flexibility to adapt all those powerful tools to your individual workflow.


Fully equipped professional mixer

With 128 physical inputs and outputs, 8 inserts per Channel, 64 FX sends as well as 256 groups/busses and unlimited routing between audio channels, busses, groups and FX returns mean that Cubase 6 is fully equipped for even the most complex recording setup. And even in the largest projects, the system-wide automatic latency compensation synchronizes all audio streams in your system automatically.

Three freely configurable mixer views allow you to show specific combinations of channels, channel types and zoom — guaranteeing full control over your session. The unique Track Presets system lets you store, recall and archive your track settings for just about any audio track or VST instrument for almost instant recall through the MediaBay.

Mixer


Full automation

The new automation handling in Cubase 6 provides a dedicated automation panel for quick access to all automation functions. The enhanced transparency and flexibility provides professionals with the capability to set up a complete automation within minutes and control the session clearly.

Free routing

Cubase 6 gives you complete freedom when routing audio in your project. The routing capabilities allow totally unlimited routing between group channels regardless of their order, and supports sending from groups to FX returns as well as from FX returns into group channels. For even more flexibility, audio tracks cannot only send signals into groups and FX returns with help of the pre fader sends, but also patch signals post fader from the output tab to group channels and FX returns.

Surround mixing

Mixing for surround or thinking of moving to surround? The fully surround-capable architecture developed for Cubase puts all these capabilities at your command in the context of a surround mix. All Cubase 6 VST 3 plug-ins are fully surround-ready, intelligently adapting their I/O configuration as required for mono, stereo or surround. With its complete multi-channel audio signal path from input to output and the ability to export to the MP3 surround format for convenient delivery and distribution Cubase offers a consistent end to end surround workflow.
Sidechain input for VST 3 plug-ins

Sidechain inputs are available on most VST 3 plug-ins included with Cubase 6. Thanks to the “free routing” architecture virtually any signal
in the VST mixer can be used as a sidechain input signal. Sidechain is a crucial function for audio-controlled effects such as ducking (compression controlled by an audio source), but can be used creatively in many ways (for example controlling the LFO in modulation effects).

Surround Panner


High-end EQ and pro reverb

By using the renowned Cubase Channel Studio EQ, you’re able to create high quality mixes right out of the box, including multiple filter modes and characteristics. But the Cubase Channel EQ is not the only plug-in that means you’ll be reaching for expensive additional plug-ins and hardware less often: the exceptional REVerence convolution reverb sets new quality standards within the audio mixing process.


High-end multi-channel convolution reverb


Cubase Channel EQ



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D. Steinberg Wavelab 5.

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More Features in Detail

Steinberg's WaveLab allows quick audio editing and professional mastering with sample-accurate precision. High quality EQs, dynamics and effects are included, and the software can integrate additional effects processors.

Audio Montage Workspace

The Audio Montage Workspace is the heart of the non-destructive editing processes in WaveLab. All editing tasks and actions are either processed in real-time or rendered into the audio material. The powerful Audio Montage Workspace supports not only several audio tracks each with up to 8 channels. Audio files in the Audio Montage are shown as so-called clips. Each clip is actually merely a window on either a part or the entire length of an audio file. The selection can be enlarged, reduced or just moved over the audio material (known as sliding).

WaveLab 7 supports the editing of clips over several tracks, making editing of linked tracks in a multi-channel project fast and efficient. By pressing the ALT key, changes made to a clip are also made to every selected clip. Any fades already set remain unaffected; Volume and Pan settings also remain unchanged. A range of grouping functions give a clear overview of the project at all times.

Audio Montage Workspace
Audio Montage Workspace


Advanced Crossfades

WaveLab 7 also offers an intuitive crossfade editing concept. A crossfade is automatically created as soon as two clips overlap in the Audio Montage window. The clips show the results of the crossfade directly in the waveform, offering a useful aid in positioning the fade in exactly the right place. Functions like Snap To Waveform and Snap To Fade speed up editing work and allow an exceedingly efficient worklflow in WaveLab 7.

The left and right borders of the crossfade can be both adjusted independently of one another or moved symmetrically and simultaneously using the middle of the fade as a reference point. The entire fade can also be moved along the waveform while retaining all its settings.
Multi-channel editing

The Audio Montage is fully surround-capable, supporting fast efficient workflow with surround recordings. 5.1 files are automatically imported as two stereo and two mono files, and each track can be routed independently to its own audio output. For audio files that are routed to the LFE channel, a low pass filter can be also be used as an insert effect.

Multiple global plug-ins can be loaded at the same time to process all clips on any desired track. Volume and Pan envelopes can be adjusted with sample accuracy for each and every clip. Fades can also either be edited using the mouse or adjusted by loading user-definable fade curve presets.

Audio Restoration

High End Tools for Audio Restoration

Removing artifacts from old records or eliminating unwanted noise within the audio material does not mean investing in separate tools. WaveLab 7 brings along a high class restoration suite made by the famed plug-in specialists at Sonnox, comprising the popular DeNoiser, DeBuzzer and DeClicker plug-ins. Using these powerful tools allows you to polish your audio material with exceptional audio quality.

WaveLab
DeBuzzer


DeClicker


DeNoiser


Restoration with the Spectrum Editor

The Spectrum Editor is an immensely powerful new tool for restoration and editing of an audio file’s frequency information. The precision linear phase filters allow editing of even microscopically narrow frequency bands.

The Spectrum Editor displays the audio material as a sonogram that shows the changing intensities of the frequencies over time in different colors and shades. The Spectrum Editor offers two different editing modes — Surgical processing and Master Section processing.

Surgical Processing
The Surgical processing mode offers three filter types that can be used in six different ways for a variety of tasks. Using the High Pass, Low Pass or Band Pass filters, a certain frequency area in the sonogram can be dampened, faded in or out or even “wiped over” with the Dispersion function. The dampening and aggressiveness of the filters is also user-definable.

Spectrum Editor
Spectrum Editor


Master Section Processing

This mode allows the processing of the selected frequency area using the Master Section plug-ins, including dithering and noise-shaping algorithms. With this powerful editing tool, a defined frequency area can, for example, be sent through the Sonnox DeClicker or other restoration plug-in. Other uses include complete dynamics control over user-defined frequency bands.


Another editing process provided by the Spectrum Editor is the copying of audio material from one “place” to another in the sonogram view. Using the Source/ Destination functions a suitable area can be isolated very quickly and copied to several different locations. The area that is to be replaced is defined by stretching a rectangle, and the selected area can be moved and adjusted in size quickly and easily. Editing can be performed independent of the audio channel or simultaneously on both channels of a stereo file.
Podcasting

This internet standard is fully supported by WaveLab 7. Simple and intuitive user interface allows to create basic or complex Podcasts from A to Z, without ever quitting WaveLab. The perfect integration in the WaveLab audio recording and editing environment makes it a unique solution on the market.

WaveLab 7 supports the complete podcast standard RSS 2.0 specification. Not only audio files but also video and PDF files can be integrated. Pictures are automatically scaled to the right size. The integrated FTP client transfers the podcast quickly and efficiently over to the server without stopping work on audio files in WaveLab 7. Podcast descriptions can be imported as an HTML file, locally saved picture files are automatically saved with the audio onto the server when a podcast is published. To help create new episodes of the podcast even faster, WaveLab 6.1 includes user-definable templates. WaveLab 6.1 can also create podcasts directly for iTunes.

Podcasting
Podcast Workspace


Workflow

Batch processing
WaveLab 7 offers a range of powerful batch processing tools, applying a huge range of editing processes and renaming options to large numbers of with a single command.

Remote controller integration
WaveLab offers tactile access to WaveLab functionality through support for MIDI remote controllers. Every incoming MIDI message received from a remote controller can be assigned to a command in WaveLab 7, offering control over a range of aspects of the WaveLab functionality. Setting up a command is astoundingly simple: the command is selected in the Key Commands Editor, while the desired MIDI command is activated on the control surface. All assigned commands can be saved as a file, allowing different controllers to be selected.

Batch Processor Workspace
Batch Processor Workspace

Effects
Clip-based effects and plug-in chains

WaveLab 7 offers freely definable plug-in chains. These can consist of any plug-ins available in WaveLab, and can be created almost instantly by using the tab-area of WaveLab 7. There it is possible to create a PlugIn chain consisting of up to ten PlugIns that can be used for each audio clip or track. Not only can the order of the plug-ins within the chain be changed by drag and drop as desired, but a plug-in can also be removed from the chain without having to open the plug-in itself. Opening a plug-in for editing is as simple as double-clicking it. Chains can also be saved as a preset and used to process any clip or track in the Audio Montage at will.
Loudness-compensated bypassing of plug-ins

Effect plug-ins can alter the perceived volume of a signal, making the direct comparison of a signal that has been sent through a plug-in or a plug-in chain with the original material potentially more difficult. WaveLab 7 offers a SmartBypass function which automatically compensates for this difference in loudness, making effective A/B comparison of material with its unaltered version quick and easy. SmartBypass also supports the integration of external effect hardware.

External effect hardware integration

WaveLab 7 includes a powerful system for integrating outboard FX in the Master Section audio signal chain. Each external effect unit is integrated as a plug-in at any desired position in the Master Section. WaveLab supports up to 8 parallel input and output channels to ASIO-compatible audio interfaces. WaveLab automatically recognizes the latency of the hardware and compensates this delay to offer perfect synchronization to Timecode. The level sent to the hardware is set using the Send Level control.
Recording through plug-ins

In WaveLab 7, audio signals can be recorded through the effects of the Master Section. This allows effects such as EQ, compression or noise gating to be used while recording, preparing the material for further editing and processing later. Depending on the number of channels offered by the ASIO-compatible hardware, up to eight channels can be recorded simultaneously, allowing WaveLab 7 to perform recording tasks such as recording a mixer’s subgroups or in recording surround. WaveLab supports recording sample rates up to 384 kHz, and is limited only by the converters of the system’s audio hardware.


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E. Fruity Loop 9 XXL

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FL Studio is the most complete virtual studio currently available. It will play any sample file (wav), generator (softsynth, VSTi & DXi) or midi instrument you feed it.

You will be creating wav, mp3 or midi songs or loops only minutes after launching it.
While we could try to describe what the hundreds of features of FL Studio do, the best way to experience it is to download.


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F. Sony Acid Pro 7.0 E

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[center]Your New Creative Partner
ACID Pro 7 software is a DAW powerhouse that combines full multitrack recording and mixing, MIDI sequencing, and legendary ACID looping functionality for a seamless music-creation and post-production environment. More creative partner than production tool, ACID Pro 7 software inspires you like nothing else. With its Transparent Technology™ design, ACID Pro 7 software removes typical barriers to the creative workflow so you can effortlessly transform ideas into real results.

Acid Pro 7 - digital audio workstation, multitrack recorders, dj mixing software, music mixing softare, midi software

Professional Multitrack Recording
For uncompromising 24-bit, 192 kHz sound quality production live or in studio, ACID Pro 7 software has an expanded set of features for maximum audio performance. Whether you're recording your band or creating MIDI-based studio sequences, ACID Pro 7 software is the optimal platform for reliable multitrack recording and production: on-the-fly punch in/out, unlimited tracks for audio and MIDI, control surface support, powerful plug-in processing, and 5.1 surround mixing.

Innovative Loop-Based Music Creation
ACID Pro software has been the leader in loop-based music creation for nearly ten years. Version 7 has all of the core ACID Pro features: automatic pitch and tempo matching, real-time loop previewing, unlimited tracks, and our signature pick/paint/play interface. ACID Pro 7 software also includes over 3,000 Sony Sound Series loops and 1,000 MIDI files so you can start creating music right out of the box. Fundamentals

Comprehensive MIDI Support
Experience unparalleled MIDI sequencing in ACID Pro 7 software, with real time MIDI processing and precise control over MIDI events. All note and controller data can be recorded and edited on the timeline as easily as audio tracks. Use track envelopes to automate and modify modulation, expression, or other types of MIDI controller data over time. Other features let you record multiple tracks of MIDI, apply real time MIDI quantization, perform filtering and processing, create and edit drum patterns, and step record. ACID Pro 7 also includes over 1,000 free MIDI files for music creation. MIDI

Superior Mixing and Editing
ACID Pro 7 software has a dedicated mixing console for a flexible and efficient recording environment. Specify routing, assign audio effects, and use external effects processors with tracks and busses. ACID Pro 7 software also supports control surface automation and channel tracking for devices such as the Mackie Control and Frontier Design TranzPort. Its unique Beatmapper tool makes remixing easy, and the Chopper tool helps you create impressive drum fills, stutters, and DJ-style effects. Mixing and Editing

Professional Effects and Soft Synth Support
Expand your sound palette with native support for VST instruments, as well as VST and DirectX audio plug-ins. Create resonant sweeps, dramatic fades, EQ changes and add effects with parameter automation. ReWire and ASIO support help you smoothly integrate ACID Pro 7 software with your existing studio. Audio Control

Exclusive Quantization Tools
Transform loops and MIDI tracks into fresh, new sounds with our exclusive Groove Mapping and Groove Cloning quantization tools. Change the groove of a track, apply different grooves to the same track, extract a groove from one file and apply it to another, or even create custom grooves. Quantization Tools

Professional Workflow Features
Maximize efficiency with folder tracks and cluster editing to drag, pitch-shift, cut, copy, and paste sections of loops. Use the Clip Pool to choose and arrange events to use in your compositions. Create dramatic or subtle tempo changes using new tempo curves. Deliver projects in nearly any format without leaving the ACID Pro 7 environment. Import and Export Support

Interactive Tutorials New!
ACID Pro 7 software now includes built-in interactive tutorials for step-by-step help. Work along with the tutorials from within your project so you can learn and create at the same time.

Included with ACID Pro 7 software New!
ACID Pro 7 includes software for professional music production and editing, including ACID Pro Effects Rack, powered by iZotope, Garritan Aria for ACID Pro Player, Sonoma Wire Works KitCore, and Native Instruments Guitar Combos. Included with ACID Pro 7

Free Loops and Samples
Add to your content library with ACIDplanet.com 8packs. Available as a free download each week, an 8pack is eight loops arranged into a song. ACID Pro registered users can also download free exclusive content using Get Media. Click Get Media on the ACID Pro 7 toolbar for instant access to folders full of royalty-free loops.


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oke gan, buat saat ini ane cuma bisa share itu dulu. soalnya software yang lainnya belom ane upload. (net cacad gan T_T)
tapi ntar ane post lagi kok disini. :D

2

iwanntahlah nyarios ... :

Credit by ME!
Pasted From Snutz.us (setan89)

shunichie Alfarishie nyarios ... :

maav om moomod ane lupa cantumim....

nanti ane rubah ,,,

thaks seblumnya atas TS dan Komentarnya dah di ingetin ^^,

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